Sorties VO • Mars 2021

It’s 2013, and much of the world still reels from the global economic collapse. Yet in the auction rooms of London, artworks are selling for record-breaking prices. Seeking a place in this gilded world is Martin, a junior specialist at a prestigious auction house. Martin spends his days catering to the whims of obscenely wealthy clients and his nights drinking in grubby pubs with his demoralized roommate. However, a chance meeting with Marina, an old university friend, presents Martin with a chance to change everything.

Pursuing distraction from her failing marriage and from a career she doesn’t quite believe in, Marina draws Martin into her circle and that of her husband, Oleg, an art-collecting oligarch. Shaken by the death of his mother and chafing against his diminishing influence in his homeland, Oleg appears primed to change his own life—and perhaps to relinquish his priceless art collection long coveted by London’s auction houses. Martin is determined to secure the sale and transform his career. But his ambitions are threatened by factors he hasn’t reckoned with: a dangerous attraction between himself and Marina, and half-baked political plans through which Oleg aims to redeem himself and Russia but which instead imperil the safety of the oligarch and all those around him.


Haitian-American Vodou priestess Mambo Reina Dumond runs a healing practice from her New Orleans home. Gifted with water magic since she was a child, Reina is devoted to the benevolent traditions of her ancestors.

After a ritual slaying in the French Quarter, police arrest a fellow vodouisant. Detective Roman Frost, Reina’s ex-boyfriend—a fierce nonbeliever—is eager to tie the crime, and half a dozen others, to the Vodou practitioners of New Orleans. Reina resolves to find the real killer and defend the Vodou practice and customs, but the motives behind the murder are deeper and darker than she imagines.

As Reina delves into the city’s shadows, she untangles more than just the truth behind a devious crime. It’s a conspiracy. As a killer wields dangerous magic to thwart Reina’s investigation, she must tap into the strength of her own power and faith to solve a mystery that threatens to destroy her entire way of life.


Lady Sophia Huntington Villiers is no stranger to intrigue, as her work with Alan Turing’s Bombe Machines at Bletchley Park during the war attests. Her wartime marriage of convenience to Simon Barre, the eighth earl of Camden, granted her the independence she craved and saved his estate. Now, as part of his covert team in postwar Vienna, she uses her charm to uncover a lethal double agent immersed in the world of relics—including the long lost death mask of Mozart. 

Simon is determined to gather any information he can to end the Cold War before it becomes as devastating as the war Britain has just won. He has been secretly in love with Sophie Villiers for years, and their work together in Vienna leads him to hope for genuine romance in their marriage. Until a mission in Prague drives Sophie to a decision that will brand her not only a traitor to her country but also to her husband.

With Sophie’s allegiance in question, Simon is torn between his duty to the crown and saving the woman who might have betrayed his cause and his heart.


In a small, provincial town behind the Iron Curtain, Sasha lives in a house full of secrets, one of which is her own dream of becoming an actress. When she leaves for Moscow to audition for drama school, she defies her mother and grandparents and abandons her first love, Andrei.

Before she leaves, Sasha discovers the hidden war journal of her uncle Kolya, an artist still missing in action years after the war has ended. His pages expose the official lies and the forbidden truth of Stalin’s brutality. Kolya’s revelations and his tragic love story guide Sasha through drama school and cement her determination to live a thousand lives onstage. After graduation, she begins acting in Leningrad, where Andrei, now a Communist Party apparatchik, becomes a censor of her work. As a past secret comes to light, Sasha’s ambitions converge with Andrei’s duties, and Sasha must decide if her dreams are truly worth the necessary sacrifice and if, as her grandmother likes to say, all will indeed be well.


Born into the House of Romanov to the all-powerful Peter the Great and his wife, Catherine, a former serf, beautiful Tsarevna Elizabeth is the envy of the Russian empire. She is insulated by luxury and spoiled by her father, who dreams for her to marry King Louis XV of France and rule in Versailles. But when a woodland creature gives her a Delphic prophecy, her life is turned upside down. Her volatile father suddenly dies, her only brother has been executed and her mother takes the throne of Russia.

As friends turn to foes in the dangerous atmosphere of the Court, the princess must fear for her freedom and her life. Fate deals her blow after blow, and even loving her becomes a crime that warrants cruel torture and capital punishment: Elizabeth matures from suffering victim to strong and savvy survivor. But only her true love and their burning passion finally help her become who she is. When the Imperial Crown is left to an infant Tsarevich, Elizabeth finds herself in mortal danger and must confront a terrible dilemma–seize the reins of power and harm an innocent child, or find herself following in the footsteps of her murdered brother.

Hidden behind a gorgeous, wildly decadent façade, the Russian Imperial Court is a viper’s den of intrigue and ambition. Only a woman possessed of boundless courage and cunning can prove herself worthy to sit on the throne of Peter the Great.


Each summer the girls of Deck Five come back to Marshall Naval School. They sail on jewel-blue waters; they march on green drill-fields; they earn sunburns and honors. They push until they break apart and heal again, stronger.

Each summer Margaret and Rose and Flor and Nisreen come back to the place where they are girls, safe away from the world: sisters bound by something more than blood.

But this summer everything has changed. Girls are missing and a boy is dead. It’s because of Margaret Moore, the boys say. It’s because of what happened that night in the storm.

Margaret’s friends vanish one by one, swallowed up into the lies she has told about what happened between her and a boy with the world at his feet. Can she unravel the secrets of this summer and last, or will she be pulled under by the place she once called home?


In 1999, an elite interdisciplinary team headed by Nobel laureate Andrew Danicek gathered in California to carry out a ground-breaking time-travel experiment. While the rest of the world remained unaware, Julius Caesar was successfully transported from the last day of his life to a specially-constructed covert facility. Four days of conversation with historians and Latin scholars were planned, followed by Caesar’s return to the moment from which he was extracted. But despite the team’s meticulous efforts to maintain secrecy and plan for all possible exigencies, a kidnap attempt plunges Caesar into peril. Fully aware that the future of civilization may hang in the balance, one team member must summon strength she didn’t know she possessed to return Caesar to the Ides of March.


After talking her way into a job with Dan Mansfield, the leading investigative reporter in Chicago, rising young journalist Jules Roth is given an unusual–and very secret–assignment. Dan needs her to locate a painting stolen by the Nazis more than 75 years earlier: legendary Expressionist artist Ernst Engel’s most famous work, Woman on Fire. World-renowned shoe designer Ellis Baum wants this portrait of a beautiful, mysterious woman for deeply personal reasons, and has enlisted Dan’s help to find it. But Jules doesn’t have much time; the famous designer is dying.

Meanwhile, in Europe, provocative and powerful Margaux de Laurent also searches for the painting. Heir to her art collector family’s millions, Margaux is a cunning gallerist who gets everything she wants. The only thing standing in her way is Jules. Yet the passionate and determined Jules has unexpected resources of her own, including Adam Baum, Ellis’s grandson. A recovering addict and brilliant artist in his own right, Adam was once in Margaux’s clutches. He knows how ruthless she is, and he’ll do anything to help Jules locate the painting before Margaux gets to it first.


Anna loves Girls’ Night with her friends. With the kids safely in bed, it’s a chance for the women to let loose, enjoy some wine, and just laugh. But after one lively evening, Anna doesn’t arrive for school drop-off the next morning—or the next, or the next.

Everyone, especially her husband and young son, are frantic with worry but none more so than Grace, her childhood best friend. Grace is certain that someone is hiding the truth about Anna’s unexplained disappearance. As rumors fly and accusations are whispered among neighbors, Grace decides to take matters into her own hands and find out what happened to Anna…or die trying.


By April 1916, the fervor that accompanied war’s outbreak has faded. In its place is a grim reality. Throughout Germany, essentials are rationed. Hope, too, is in short supply. Anna Zeller, whose fiancé, Bruno, is fighting on the western front, works as a nurse at an overcrowded hospital in Oldenburg, trying to comfort men broken in body and spirit. But during a visit from Dr. Stalling, the director of the Red Cross Ambulance Dogs Association, she witnesses a rare spark of optimism: as a German shepherd guides a battle-blinded soldier over a garden path, Dr. Stalling is inspired with an idea—to train dogs as companions for sightless veterans.

Anna convinces Dr. Stalling to let her work at his new guide dog training school. Some of the dogs that arrive are themselves veterans of war, including Nia, a German shepherd with trench-damaged paws. Anna brings the ailing Nia home and secretly tends and trains her, convinced she may yet be the perfect guide for the right soldier. In Max Benesch, a Jewish soldier blinded by chlorine gas at the front, Nia finds her person.

War has taken Max’s sight, his fiancée, and his hopes of being a composer. Yet despite all he’s given for his country, the tide of anti-Semitism at home is rising, and Max encounters it first-hand in one of the school’s trainers, who is determined to make Max fail. Still, through Anna’s prompting, he rediscovers his passion for music. But as Anna discovers more about the conflict’s escalating brutality—and Bruno’s role in it—she realizes how impossible it will be for any of them to escape the war unscathed


1940. In a world newly burning with war, and in spite of her American family’s wishes, Virginia decides to stay in occupied France with her French husband. She’s sure that if they keep their heads down they’ll make it through. But as the call to resist the enemy grows around her, Virginia must decide if she’s willing to risk everything to help those in need.

Nineteen-year-old Violette is a crack shot with an unquenchable spirit of adventure, and she’s desperate to fight the Nazis however she can. When her mother sends her to find an exiled soldier, Violette meets the man who will change her life. Then tragedy strikes, and Britain’s clandestine war organization—the Special Operations Executive—learns of Violette’s dual citizenship and adept firearm handling and starts to recruit her. But Violette is no stranger to loss and must decide whether the cost of defiance is too great a price to pay.


On Crow Island, people whisper, real magic lurks just below the surface. 

Neither real magic nor faux magic interests Annie Mason. Not after it stole her future. She’s only on the island to settle her late father’s estate and, hopefully, reconnect with her long-absent best friend, Beatrice, who fled their dreary lives for a more glamorous one. 

Yet Crow Island is brimming with temptation, and the biggest one may be her enigmatic new neighbor. 

Mysterious and alluring, Emmeline Delacroix is a figure shadowed by rumors of witchcraft. And when Annie witnesses a confrontation between Bea and Emmeline at one of the island’s extravagant parties, she is drawn into a glittering, haunted world. A world where the boundaries of wickedness are tested, and the cost of illicit magic might be death.


Charm is a witch, and she is alone. The last of a line of conquered necromantic workers, now confined within the yard of regrown bone trees at Orchard House, and the secrets of their marrow.

Charm is a prisoner, and a survivor. Charm tends the trees and their clattering fruit for the sake of her children, painstakingly grown and regrown with its fruit: Shame, Justice, Desire, Pride, and Pain.

Charm is a whore, and a madam. The wealthy and powerful of Borenguard come to her house to buy time with the girls who aren’t real.

Except on Tuesdays, which is when the Emperor himself lays claim to his mistress, Charm herself.


She’s an artist whose portraits alter people’s real-life bodies, a talent she must hide from those who would kidnap, blackmail, and worse in order to control it. Guarding that secret is the only way to keep her younger sister safe now that their parents are gone. 

But one frigid night, the governor’s wife discovers the truth and threatens to expose Myra if she does not complete a special portrait that would resurrect the governor’s dead son. Desperate, Myra ventures to his legendary stone mansion. 

Once she arrives, however, it becomes clear the boy’s death was no accident. Someone dangerous lurks within these glittering halls. Someone harboring a disturbing obsession with portrait magic. 

Myra cannot do the painting until she knows what really happened, so she turns to the governor’s older son, a captivating redheaded poet. Together, they delve into the family’s most shadowed affairs, racing to uncover the truth before the secret Myra spent her life concealing makes her the killer’s next victim.


The winter hike is meant to bring their nature group together.
Emily, the sister who never lets her hearing loss hold her back.
Lauren, the sister who always feels a step behind.
Morna, who doesn’t get on with Lauren.
Ben, whose feelings for Emily border on obsession.
Dan, the quiet newcomer to the group.
Kai, who isn’t just on the hike to enjoy the wildlife.
And Alec, the one who knows all their secrets.


Dark Fell Barn is a “perfectly isolated” retreat, or so says its website when Jayne books a reservation for her friends. A quiet place, far removed from the rest of the world, is exactly what they need.

The women arrive for a girls’ night ahead of their husbands. There’s ex-Army Jayne, hardened and serious, but also damaged. Ruth, the driven doctor and new mother who is battling demons of her own. Young Emily, just wed and insecure, the newest addition of this tight-knit band. Missing this year is Edie, who was the glue holding them together until her husband died suddenly.

But what they hoped would be a relaxing break soon turns to horror. Upon arrival at Dark Fell Barn, the women find a devastating note claiming one of their husbands will be murdered. There are no phones, no cell service to check on their men. Friendships fracture as the situation spins wildly out of control. Betrayal can come in many forms.


The Alexandrian Society is a secret society of magical academicians, the best in the world. Their members are caretakers of lost knowledge from the greatest civilizations of antiquity. And those who earn a place among their number will secure a life of wealth, power, and prestige beyond their wildest dreams. Each decade, the world’s six most uniquely talented magicians are selected for initiation – and here are the chosen few…

– Libby Rhodes and Nicolás Ferrer de Varona: inseparable enemies, cosmologists who can control matter with their minds.
– Reina Mori: a naturalist who can speak the language of life itself.
– Parisa Kamali: a mind reader whose powers of seduction are unmatched.
– Tristan Caine: the son of a crime kingpin who can see the secrets of the universe.
– Callum Nova: an insanely rich pretty boy who could bring about the end of the world. He need only ask.

When the candidates are recruited by the mysterious Atlas Blakely, they are told they must spend one year together to qualify for initiation. During this time, they will be permitted access to the Society’s archives and judged on their contributions to arcane areas of knowledge. Five, they are told, will be initiated. One will be eliminated. If they can prove themselves to be the best, they will survive. Most of them. 


When Margaret Welty spots the legendary hala, the last living mythical creature, she knows the Halfmoon Hunt will soon follow. Whoever is able to kill the hala will earn fame and riches, and unlock an ancient magical secret. If Margaret wins the hunt, it may finally bring her mother home. While Margaret is the best sharpshooter in town, only teams of two can register, and she needs an alchemist.

Weston Winters isn’t an alchemist–yet. Fired from every apprenticeship he’s landed, his last chance hinges on Master Welty taking him in. But when Wes arrives at Welty Manor, he finds only Margaret and her bloodhound Trouble. Margaret begrudgingly allows him to stay, but on one condition: he must join the hunt with her.

Although they make an unlikely team, Wes is in awe of the girl who has endured alone on the outskirts of a town that doesn’t want her, in this creaking house of ghosts and sorrow. And even though Wes disrupts every aspect of her life, Margaret is drawn to him. He, too, knows what it’s like to be an outsider. As the hunt looms closer and tensions rise, Margaret and Wes uncover dark magic that could be the key to winning the hunt – if they survive that long. 


Norway, 1942. War rages, and operation Shetland bus is in full swing. Under cover of darkness, Rumi Orlstad and other locals smuggle British agents, fugitives and supplies across the North Sea to the relative safety of Scotland.

But when one mission goes awry, and Rumi’s husband is lost to the dangerous waters, she retreats from the clandestine group, vowing never to take to the seas again.

Meanwhile, her childhood friend Anya has been placed in Lebensborn, one of Himmler’s secret Aryan maternity camps. And when Rumi learns the fate of Anya’s child, she knows she has no choice but to face her fears and help Anya flee from Nazi grip… 


After her eighteenth birthday, Hilde, a former orphan in 1930s Berlin, goes out into the world to discover her place in it. But finding a job is hard, at least until she stumbles into Café Lila, a vibrant cabaret full of expressive customers—and Rosa, the club’s waitress and performer. As the café and all who work there embrace Hilde, and she embraces them in turn, she discovers her voice and her own blossoming feelings for Rosa. 

But Berlin is in turmoil. Between the elections, protests in the streets, and the beginning seeds of unrest in Café Lila itself, Hilde will have to decide what’s best for her future


In the snowbound city of Kiev, wry and bookish history student Mila Pavlichenko organizes her life around her library job and her young son–but Hitler’s invasion of Russia sends her on a different path. Given a rifle and sent to join the fight, Mila must forge herself from studious girl to deadly sniper–a lethal hunter of Nazis known as Lady Death. When news of her three hundredth kill makes her a national heroine, Mila finds herself torn from the bloody battlefields of the eastern front and sent to America on a goodwill tour.

Still reeling from war wounds and devastated by loss, Mila finds herself isolated and lonely in the glittering world of Washington, DC–until an unexpected friendship with First Lady Eleanor Roosevelt and an even more unexpected connection with a silent fellow sniper offer the possibility of happiness. But when an old enemy from Mila’s past joins forces with a deadly new foe lurking in the shadows, Lady Death finds herself battling her own demons and enemy bullets in the deadliest duel of her life.

Sorties VO • Février 2022

In New York City everybody needs a side hustle, and perfumer Vic Fowler has developed a delicate art that has proved to be very lucrative: creating bespoke scents that evoke immersive memories—memories that, for Vic’s clients, are worth killing for. But the city is expensive, and these days even artisanal murder doesn’t pay the bills. When Joseph Eisner, a former client with deep pockets, offers Vic an opportunity to expand the enterprise, the money is too good to turn down. But the job is too intricate—and too dangerous—to attempt alone.

Manipulating fellow struggling artists into acting as accomplices is easy. Like Vic, they too are on the verge of burnout and bankruptcy. But as relationships become more complicated, Vic’s careful plans start to unravel. Hounded by guilt and a tenacious private investigator, Vic grows increasingly desperate to complete Eisner’s commission. Is there anyone—friends, lovers, coconspirators—that Vic won’t sacrifice for art?


As the Nazis march toward Paris in 1940, American ballerina Lucie Girard buys her favorite English-language bookstore to allow the Jewish owners to escape. Lucie struggles to run Green Leaf Books due to oppressive German laws and harsh conditions, but she finds a way to aid the resistance by passing secret messages between the pages of her books.

Widower Paul Aubrey wants nothing more than to return to the States with his little girl, but the US Army convinces him to keep his factory running and obtain military information from his German customers. As the war rages on, Paul offers his own resistance by sabotaging his product and hiding British airmen in his factory. After they meet in the bookstore, Paul and Lucie are drawn to each other, but she rejects him when she discovers he sells to the Germans. And for Paul to win her trust would mean betraying his mission.


Her name is unimportant.

All you must know is that today she will become one of the four saints of Haven. The elders will mark her and place the red hood on her head. With her sisters, she will stand against the evil power that lives beneath the black mountain–an evil which has already killed nine of her village’s men.

She will tell no one of the white-eyed beasts that follow her. Or the faceless gray women tall as houses. Or the girls she saw kissing in the elm grove.

Today she will be a saint of Haven. She will rid her family of her mother’s shame at last and save her people from destruction. She is not afraid. Are you?


Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home.

But Chelsea’s husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter’s actual well-being. And Chelsea is worried that her daughters will be trapped just as she is–then a mysterious illness sweeps the nation.

Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity–and inspires a plan to liberate herself from her abuser. 


Russia, 1918: With the execution of Tsar Nicholas, the empire crumbles and Russia is on the edge of civil war—the poor are devouring the rich. Anna, a bourgeois girl, narrowly escaped the massacre of her entire family in Yekaterinburg. Desperate to get away from the Bolsheviks, she offers a peasant girl a diamond to take her as far south as possible—not realizing that the girl is a communist herself. With her brother in desperate need of a doctor, Evgenia accepts Anna’s offer and suddenly finds herself on the wrong side of the war.

Anna is being hunted by the Bolsheviks, and now—regardless of her loyalties—Evgenia is too.


An intriguing and twisty domestic suspense about loyalty and deceit in a tight-knit Texas community where parents are known to behave badly and people are not always who they appear to be.

Emily, a popular but bookish prep school senior, goes missing after a night out with friends. She was last seen leaving a party with Alex, a football player with a dubious reputation. But no one is talking.

Now three mothers, Catherine, Leslie and Morgan, friends turned frenemies, have their lives turned upside down as they are forced to look to their own children—and each other’s—for answers to questions they don’t want to ask.


Can you spot the difference?

Emma Caan is a fake.

She’s a forger, an artist who specializes in nineteenth-century paintings. But she isn’t a criminal; her copies are commissioned by museums and ultra-wealthy collectors protecting their investments. Emma’s more than mastered a Gauguin brushstroke and a van Gogh wheat field, but her work is sometimes a painful reminder of the artistic dreams she once chased for herself, when she was younger and before her family and her world fell apart.

When oligarch art collector Leonard Sobetsky unexpectedly appears with an invitation, Emma sees a way out—a new job, a new path for herself, and access to the kind of money she needs to support her unstable and recently widowed mother.

But every invitation incurs an obligation . . . and Emma isn’t prepared for what’s to come. As she’s pulled further into Leonard’s opulent scene, she will discover what’s lurking beneath the glitz and glamour. When she does, the past she’s worked hard to overcome will collide with the present, making her wonder how much of her carefully curated life is just as fake as her forgeries


During the reign of Louis XV, impoverished but lovely teenage girls from all over France are sent to a discreet villa in the town of Versailles. Overseen by the King’s favorite mistress, Madame de Pompadour, they will be trained as potential courtesans for the King. When the time is right, each girl is smuggled into the palace of Versailles, with its legendary Hall of Mirrors. There they meet a mysterious but splendidly dressed man who they’re told is merely a Polish count, a cousin of the Queen. Living an indulgent life of silk gowns, delicious meals, and soft beds, the students at this “school of mirrors” rarely ask questions, and when Louis tires of them, they are married off to minor aristocrats or allowed to retire to one of the more luxurious nunneries.

Beautiful and canny Veronique arrives at the school of mirrors and quickly becomes a favorite of the King. But when she discovers her lover’s true identity, she is whisked away, sent to give birth to a daughter in secret, and then to marry a wealthy Breton merchant. There is no return to the School of Mirrors.

This is also the story of the King’s daughter by Veronique—Marie-Louise. Well-provided for in a comfortable home, Marie-Louise has never known her mother, let alone her father. Capable and intelligent, she discovers a passion for healing and science, and becomes an accredited midwife, one of the few reputable careers for women like her. But eventually Veronique comes back into her daughter’s life, bringing with her the secret of Marie-Louise’s birth. But the new King—Louis XVI—is teetering on his throne and it’s a volatile time in France…and those with royal relatives must mind their step very carefully.


Once there was a young woman from a well-to-do New England family who never quite fit with the drawing rooms and parlors of her kin.

Called instead to the tangled woods and wild cliffs surrounding her family’s estate, Margaret Harlowe grew both stranger and more beautiful as she cultivated her uncanny power. Soon, whispers of “witch” dogged her footsteps, and Margaret’s power began to wind itself with the tendrils of something darker.

One hundred and fifty years later, Augusta Podos takes a dream job at Harlowe House, the historic home of a wealthy New England family that has been turned into a small museum in Tynemouth, Massachusetts. When Augusta stumbles across an oblique reference to a daughter of the Harlowes who has nearly been expunged from the historical record, the mystery is too intriguing to ignore.

But as she digs deeper, something sinister unfurls from its sleep, a dark power that binds one woman to the other across lines of blood and time. If Augusta can’t resist its allure, everything she knows and loves—including her very life—could be lost forever.


When Micah Wilkes was a senior in high school, her boyfriend was convicted of murdering her best friend, Emily. A decade later, Micah has finally moved on from the unforgivable betrayal and loss. Now the owner of a bustling coffee shop in her small hometown in Pennsylvania, she’s happily coupled up with another old high school friend, the two having bonded over their shared sorrow.

But when reminders of her past begin appearing at her work and home, Micah begins to doubt what she knows about Emily’s death. Questions raised on a true crime blog and in an online web sleuthing forum force her to reexamine her memories of that fateful night. She told the truth to the investigators on the case, but was there another explanation for Emily’s murder? A stranger in the woods. An obsessive former classmate. Or the internet’s favorite suspect: Joshua, Emily’s outcast younger brother who hasn’t been seen since his sister’s death.

As Micah delves deeper into the case, she feels her grip on reality loosening, her behavior growing more and more secretive and unhinged. As she races to piece together the truth about that night ten years ago, Micah grapples with how things could have gone so wrong and wonders whether she, too, might be next to disappear. 


Ray McMillian loves playing the violin more than anything, and nothing will stop him from pursuing his dream of becoming a professional musician. Not his mother, who thinks he should get a real job, not the fact that he can’t afford a high-caliber violin, not the racism inherent in the classical music world. And when he makes the startling discovery that his great-grandfather’s fiddle is actually a priceless Stradivarius, his star begins to rise. Then with the international Tchaikovsky Competition—the Olympics of classical music—fast approaching, his prized family heirloom is stolen. Ray is determined to get it back. But now his family and the descendants of the man who once enslaved Ray’s great-grandfather are each claiming that the violin belongs to them. With the odds stacked against him and the pressure mounting, will Ray ever see his beloved violin again? 


Romania, 1989. Communist regimes are crumbling across Europe. Seventeen-year-old Cristian Florescu dreams of becoming a writer, but Romanians aren’t free to dream; they are bound by rules and force.

Amidst the tyrannical dictatorship of Nicolae Ceaușescu in a country governed by isolation and fear, Cristian is blackmailed by the secret police to become an informer. He’s left with only two choices: betray everyone and everything he loves—or use his position to creatively undermine the most notoriously evil dictator in Eastern Europe.

Cristian risks everything to unmask the truth behind the regime, give voice to fellow Romanians, and expose to the world what is happening in his country. He eagerly joins the revolution to fight for change when the time arrives. But what is the cost of freedom?


Jess needs a fresh start. She’s broke and alone, and she’s just left her job under less than ideal circumstances. Her half-brother Ben didn’t sound thrilled when she asked if she could crash with him for a bit, but he didn’t say no, and surely everything will look better from Paris. Only when she shows up – to find a very nice apartment, could Ben really have afforded this? – he’s not there.

The longer Ben stays missing, the more Jess starts to dig into her brother’s situation, and the more questions she has. Ben’s neighbors are an eclectic bunch, and not particularly friendly. Jess may have come to Paris to escape her past, but it’s starting to look like it’s Ben’s future that’s in question.

Bilan 2021

2021 a été une année chargée et cruciale, notamment sur le plan professionnel. Je suis retournée en Haute-Savoie, où j’ai pu accomplir d’autres missions. J’ai passé le concours de catégorie B dans la culture. Je ne l’ai pas eu d’un point, mais j’y suis allée sans réviser, donc je suis plutôt contente. D’autres projets n’ont pas abouti, comme mon entreprise, mais ce n’est que partie remise.

En cliquant sur [lien], vous avez accès à l’article correspondant.

Moins de confinements (non que je m’en plains) et un peu plus de responsabilité au travail… J’ai beaucoup moins lu que l’année précédente [Bilan 2020]. J’ai lu 185 livres pour un total d’environ 60.000 pages. Sur Goodreads, je m’étais fixée un objectif d’une centaine de livres lus… Largement dépassé ! Comme l’année, j’étais curieuse de connaître quel était le genre littéraire le plus lu, ou la thématique la plus représentée dans mes lectures…


Encore une fois, les essais représentent le plus gros de mes lectures, puisque j’en ai lu 43, soit environ 24% des livres lus cette année. Les thématiques varient très peu, en revanche : beaucoup d’histoire (Moyen-Âge et Renaissance, surtout pour le travail et Seconde Guerre mondiale, la période historique qui me fascine le plus), et d’art (je prépare le concours de conservateur du patrimoine) et un peu d’essais politiques ou de philosophie. Même si c’est le genre le plus lu, c’est clairement celui qui est le moins représenté sur le blog.

Mes trois essais préférés de 2021 : Eichmann à Jérusalem d’Hannah Arendt ; Le marché de l’art sous l’Occupation d’Emmanuelle Pollack ; Charlotte Salomon. Vie ? ou théâtre ?

En 2020, le deuxième genre littéraire le plus lu a été les classiques. J’en ai un peu moins lu cette année, seulement une vingtaine au compteur. J’ai continué ma découverte des Rougon-Macquart. J’avais pour objectif de terminer la série en 2021, mais cela n’a pas été le cas. J’ai bien avancé, il m’en reste une dizaine à lire. J’ai également relu un certain nombre de mes pièces de Shakespeare préférées, m’inspirant un objectif pour 2022.

Mes trois classiques de 2021 : Guerre & Paix de Léon Tolstoï [lien] ; Faust de Johann von Goethe ; L’Assomoir d’Emile Zola


Au niveau des thématiques, la Seconde Guerre mondiale reste en tête des thématiques, tous genres confondus. J’ai lu 43 ouvrages dans ce domaine. Je pensais, en revanche, avoir lu beaucoup plus de livres autour des réécritures mythologiques ou de contes, mais elles représentent en définitif même pas une dizaine de livres… J’ai eu quelques livres sur ce sujet à Noël et j’ai une idée de série d’articles dans ce domaine, donc sûrement plus de lectures à venir. En revanche, j’ai lu énormément autour d’un sujet bien spécifique : des thrillers psychologiques prenant place dans des lycées, mais surtout des universités… J’ai eu de nombreux coups de coeur dans le domaine !

Trois ouvrages coups de coeur autour de la Seconde Guerre mondiale : The Berlin Girl de Mandy Robotham [lien] ; Par amour de Valérie Tuong Cong ; Le fauteuil de l’officier SS de Daniel Lee

Trois ouvrages coups de coeur autour des réécritures : Lore d’Alexandra Bracken [lien] ; Near the bone de Christina Henry [lien] ; L’Odyssée de Pénélope de Margaret Atwood


Mes trois meilleures lectures de 2021

Il n’est malheureusement pas chroniqué sur le blog, mais ce petit ovni littéraire a su me passionner d’un bout à l’autre. Il retourne quelque peu le cerveau et il faut se laisser porter, accepter qu’il ne faut pas toujours tout vouloir comprendre pour apprécier ce roman. Cependant, l’univers est absolument incroyable et je lirai très prochainement le deuxième tome, Numérique.

Ce classique de la littérature américaine m’a terrorisé pendant des années, et j’ai enfin sauté le pas. Je m’en veux presque d’avoir attendu aussi longtemps avant de le découvrir. Il m’a tenu en haleine et j’ai adoré le personnage de Scout. Elle est d’une intelligence vive et elle est très attachante. Le fait que le procès ne prenne pas autant de place que ce à quoi je m’attendais ne m’a pas dérangé.

Le roman s’inspire d’une histoire vraie et n’est pas sans rappeler La vague de Todd Strasser que j’avais lu quand j’étais adolescente et qui m’avait profondément marqué. C’est également le cas pour celui-ci. Il permet au lecteur de se poser des questions, de s’intéresser à ce qu’il aurait fait à la place des différents personnages… Des mois après, il me trotte encore dans la tête.

Top 5 Wednesday • Exceeded your expectations

Le thème de la semaine m’a bien inspiré, car il permet aussi de commencer à réaliser un bilan de l’année écoulée, en parlant des romans qui ont dépassé mes attentes. Et vous, quels sont les cinq livres qui ont été beaucoup mieux que ce que vous pensiez au début ?

Je ne savais vraiment pas à quoi m’attendre lorsque j’ai commencé ce roman. Le résumé était tout de même mystérieux. Il sortait aussi de ce que j’avais l’habitude de lire de la part des auteurs des pays de l’Est, restant dans les classiques russes. Ce roman est un petit ovni littéraire qui m’a happé dès les premières pages et qui a su me tenir en haleine jusqu’à la fin. L’univers mis en place est extrêmement dense et fouillé. Il y a aussi un côté où le lecteur doit se laisser porter et ne pas vouloir tout comprendre. C’était la surprise que je n’attendais pas, et un coup de coeur énorme. J’ai réservé le deuxième tome à la médiathèque et il me tarde de le lire.


J’ai déjà publié il y a quelques semaines un article sur le fait que je lisais et relisais les Rougon-Macquart. Je disais également que sur les dix premiers que j’ai lu, j’avais tendance à préférer ceux qui se déroulaient dans les hautes-sphères du Second Empire et non pas chez les petites gens. À l’exception de celui-ci qui m’a bouleversé. Gervaise est un personnage que j’ai adoré suivre dans son ascension, puis déchéance et qui m’a vraiment brisé le coeur. Je ne m’attendais pas à l’apprécier autant et qu’il soit un coup de coeur.


J’ai acheté ce roman plus par hasard et je n’avais pas d’attente particulière le concernant. Il est vrai qu’en tant qu’historienne de l’art, l’âge d’or hollandais fait partie de mes périodes artistiques préférées. Pourtant, j’ai été happée dans les premières pages, à découvrir le destin de cette femme courageuse, prête à tout pour prendre son destin en main. Le livre se révèle prenant, la plume enchanteresse. J’avais vraiment l’impression de voir la ville de Delft prendre vie sous mes yeux, d’en sentir les odeurs. Le bleu de Delft est réputé, tout comme sa faïence. J’ai rajouté les deux autres romans de l’auteur dans ma liste d’envie et j’ai hâte de pouvoir me les procurer pour les découvrir.


Une de mes résolutions littéraires pour 2021 était de découvrir la littérature israélienne que je ne connaissais absolument pas. Ce roman a été le premier que j’ai lu. Mon choix s’est porté sur ce dernier, car je suis une grande amatrice de sagas familiales. Celui-ci semblait parfait et il l’était. L’auteur nous faisait suivre trois générations de Karnovski dans un Berlin qui voit d’énormes bouleversements. Ils arrivent au début du siècle et l’histoire se termine au début de la Seconde Guerre mondiale. Les personnages sont très attachants et j’ai réellement pris à coeur leur destin. J’ai lu un autre de l’auteur, Les frères Ashkenazi, que j’ai beaucoup aimé, mais qui ne m’a pas autant touché que celui-ci.


Je ne sais pas pourquoi, mais pendant des années, j’étais terrorisée de m’attaquer à ce classique de la littérature américaine. Pourtant, les avis concernant ce roman sont globalement positifs… J’ai mis du temps avant de me lancer et je ne regrette pas d’avoir sauté le pas. Harper Lee raconte ici une histoire merveilleuse sur la société du sud des États-Unis, sur l’enfance. C’est à la fois féroce et tendre, plein d’humour. Scout est définitivement une narratrice que j’ai adoré suivre et connaître. Ce livre a été un énorme coup de coeur et il continue de hanter mes pensées.

Top 5 Wednesday • Debut Novels

Le thème de cette semaine met en avant le premier roman publié d’un auteur. Quels sont mes cinq préférés ? J’ai essayé de me le limiter à ceux lus depuis le début d’année.

The Lost Apothecary • Sarah Penner

Rule #1: The poison must never be used to harm another woman.

Rule #2: The names of the murderer and her victim must be recorded in the apothecary’s register.

One cold February evening in 1791, at the back of a dark London alley in a hidden apothecary shop, Nella awaits her newest customer. Once a respected healer, Nella now uses her knowledge for a darker purpose—selling well-disguised poisons to desperate women who would kill to be free of the men in their lives. But when her new patron turns out to be a precocious twelve-year-old named Eliza Fanning, an unexpected friendship sets in motion a string of events that jeopardizes Nella’s world and threatens to expose the many women whose names are written in her register.

In present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, reeling from the discovery of her husband’s infidelity. When she finds an old apothecary vial near the river Thames, she can’t resist investigating, only to realize she’s found a link to the unsolved “apothecary murders” that haunted London over two centuries ago. As she deepens her search, Caroline’s life collides with Nella’s and Eliza’s in a stunning twist of fate—and not everyone will survive.

The lights of Prague • Nicole Jarvis

In the quiet streets of Prague all manner of otherworldly creatures lurk in the shadows. Unbeknownst to its citizens, their only hope against the tide of predators are the dauntless lamplighters – a secret elite of monster hunters whose light staves off the darkness each night. Domek Myska leads a life teeming with fraught encounters with the worst kind of evil: pijavice, bloodthirsty and soulless vampiric creatures. Despite this, Domek find solace in his moments spent in the company of his friend, the clever and beautiful Lady Ora Fischerová– a widow with secrets of her own.

When Domek finds himself stalked by the spirit of the White Lady – a ghost who haunts the baroque halls of Prague castle – he stumbles across the sentient essence of a will-o’-the-wisp, a mischievous spirit known to lead lost travellers to their death, but who, once captured, are bound to serve the desires of their owners.

After discovering a conspiracy amongst the pijavice that could see them unleash terror on the daylight world, Domek finds himself in a race against those who aim to twist alchemical science for their own dangerous gain.

The lost village • Camilla Sten

Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed “The Lost Village,” since she was a little girl. In 1959, her grandmother’s entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left—a woman stoned to death in the town center and an abandoned newborn—have plagued her. She’s gathered a small crew of friends in the remote village to make a film about what really happened.

But there will be no turning back.

Not long after they’ve set up camp, mysterious things begin to happen. Equipment is destroyed. People go missing. As doubt breeds fear and their very minds begin to crack, one thing becomes startlingly clear to Alice:

They are not alone. They’re looking for the truth… But what if it finds them first?

The Miniaturist • Jesse Burton

On a brisk autumn day in 1686, eighteen-year-old Nella Oortman arrives in Amsterdam to begin a new life as the wife of illustrious merchant trader Johannes Brandt. But her new home, while splendorous, is not welcoming. Johannes is kind yet distant, always locked in his study or at his warehouse office—leaving Nella alone with his sister, the sharp-tongued and forbidding Marin.

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The Year of the Witching • Alexis Henderson

A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut.

In the lands of Bethel, where the Prophet’s word is law, Immanuelle Moore’s very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.

But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.

Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her. 

Sorties VO • Août 2021

A lesson in vengeance • Victoria Lee • Delacorte Press • 3 août • 384 pages

Felicity Morrow is back at Dalloway School.

Perched in the Catskill mountains, the centuries-old, ivy-covered campus was home until the tragic death of her girlfriend. Now, after a year away, she’s returned to graduate. She even has her old room in Godwin House, the exclusive dormitory rumored to be haunted by the spirits of five Dalloway students—girls some say were witches. The Dalloway Five all died mysteriously, one after another, right on Godwin grounds.

Witchcraft is woven into Dalloway’s history. The school doesn’t talk about it, but the students do. In secret rooms and shadowy corners, girls convene. And before her girlfriend died, Felicity was drawn to the dark. She’s determined to leave that behind her now; all Felicity wants is to focus on her senior thesis and graduate. But it’s hard when Dalloway’s occult history is everywhere. And when the new girl won’t let her forget.

It’s Ellis Haley’s first year at Dalloway, and she’s already amassed a loyal following. A prodigy novelist at seventeen, Ellis is a so-called “method writer.” She’s eccentric and brilliant, and Felicity can’t shake the pull she feels to her. So when Ellis asks Felicity for help researching the Dalloway Five for her second book, Felicity can’t say no. Given her history with the arcane, Felicity is the perfect resource.

The Dead & the Dark • Courtney Gould • Wednesday Books • 3 août • 352 pages

Something is wrong in Snakebite, Oregon. Teenagers are disappearing, some turning up dead, the weather isn’t normal, and all fingers seem to point to TV’s most popular ghost hunters who have just returned to town. Logan Ortiz-Woodley, daughter of TV’s ParaSpectors, has never been to Snakebite before, but the moment she and her dads arrive, she starts to get the feeling that there’s more secrets buried here than they originally let on.

Ashley Barton’s boyfriend was the first teen to go missing, and she’s felt his presence ever since. But now that the Ortiz-Woodleys are in town, his ghost is following her and the only person Ashley can trust is the mysterious Logan. When Ashley and Logan team up to figure out who—or what—is haunting Snakebite, their investigation reveals truths about the town, their families, and themselves that neither of them are ready for. As the danger intensifies, they realize that their growing feelings for each other could be a light in the darkness.

The Turnout • Megan Abbott • Putnam’s Son • 3 août • 352 pages

Ballet flows through their veins. Dara and Marie Durant were dancers since birth, with their long necks and matching buns and pink tights, homeschooled and trained by their mother. Decades later the Durant School of Dance is theirs. The two sisters, together with Charlie, Dara’s husband and once their mother’s prize student, inherited the school after their parents died in a tragic accident nearly a dozen years ago. Marie, warm and soft, teaches the younger students; Dara, with her precision, trains the older ones; and Charlie, back broken after years of injuries, rules over the back office. Circling around each other, the three have perfected a dance, six days a week, that keeps the studio thriving. But when a suspicious accident occurs, just at the onset of the school’s annual performance of The Nutcracker, a season of competition, anxiety, and exhilaration, an interloper arrives and threatens the delicate balance of everything they’ve worked for.

Once there were wolves • Charlotte McConaghy • Flatiron Books • 3 août • 272 pages

Inti Flynn arrives in Scotland with her twin sister, Aggie, to lead a team of biologists tasked with reintroducing fourteen gray wolves into the remote Highlands. She hopes to heal not only the dying landscape, but Aggie, too, unmade by the terrible secrets that drove the sisters out of Alaska.

Inti is not the woman she once was, either, changed by the harm she’s witnessed—inflicted by humans on both the wild and each other. Yet as the wolves surprise everyone by thriving, Inti begins to let her guard down, even opening herself up to the possibility of love. But when a farmer is found dead, Inti knows where the town will lay blame. Unable to accept her wolves could be responsible, Inti makes a reckless decision to protect them. But if the wolves didn’t make the kill, then who did? And what will Inti do when the man she is falling for seems to be the prime suspect?

The family plot • Megan Collins • Atria Books • 17 août • 320 pages

At twenty-six, Dahlia Lighthouse has a lot to learn when it comes to the real world. Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she has spent the last several years living on her own, but unable to move beyond her past—especially the disappearance of her twin brother Andy when they were sixteen.

With her father’s death, Dahlia returns to the house she has avoided for years. But as the rest of the Lighthouse family arrives for the memorial, a gruesome discovery is made: buried in the reserved plot is another body—Andy’s, his skull split open with an ax.

Each member of the family handles the revelation in unusual ways. Her brother Charlie pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister Tate forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic façade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin.

In my dreams I hold a knife • Ashley Winstead • Sourcebooks Landmark • 31 août • 368 pages

A college reunion turns dark and deadly in this chilling and propulsive suspense novel about six friends, one unsolved murder, and the dark secrets they’ve been hiding from each other—and themselves—for a decade.

Ten years after graduation, Jessica Miller has planned her triumphant return to southern, elite Duquette University, down to the envious whispers that are sure to follow in her wake. Everyone is going to see the girl she wants them to see—confident, beautiful, indifferent—not the girl she was when she left campus, back when Heather’s murder fractured everything, including the tight bond linking the six friends she’d been closest to since freshman year. Ten years ago, everything fell apart, including the dreams she worked for her whole life—and her relationship with the one person she wasn’t supposed to love.

But not everyone is ready to move on. Not everyone left Duquette ten years ago, and not everyone can let Heather’s murder go unsolved. Someone is determined to trap the real killer, to make the guilty pay. When the six friends are reunited, they will be forced to confront what happened that night—and the years’ worth of secrets each of them would do anything to keep hidden.

The Witch Haven • Sasha Peyton Smith • Simon & Schuster • 31 août • 448 pages

In 1911 New York City, seventeen-year-old Frances Hallowell spends her days as a seamstress, mourning the mysterious death of her brother months prior. Everything changes when she’s attacked and a man ends up dead at her feet—her scissors in his neck, and she can’t explain how they got there.

Before she can be condemned as a murderess, two cape-wearing nurses arrive to inform her she is deathly ill and ordered to report to Haxahaven Sanitarium. But Frances finds Haxahaven isn’t a sanitarium at all: it’s a school for witches. Within Haxahaven’s glittering walls, Frances finds the sisterhood she craves, but the headmistress warns Frances that magic is dangerous. Frances has no interest in the small, safe magic of her school, and is instead enchanted by Finn, a boy with magic himself who appears in her dreams and tells her he can teach her all she’s been craving to learn, lessons that may bring her closer to discovering what truly happened to her brother.

Frances’s newfound power attracts the attention of the leader of an ancient order who yearns for magical control of Manhattan. And who will stop at nothing to have Frances by his side. Frances must ultimately choose what matters more, justice for her murdered brother and her growing feelings for Finn, or the safety of her city and fellow witches. What price would she pay for power, and what if the truth is more terrible than she ever imagined?

The woods are always watching • Stephanie Perkins • Dutton Books • 31 août • 304 pages

A traditional backwoods horror story set–first page to last–in the woods of the Pisgah National Forest in the Blue Ridge Mountains.

Two girls go backpacking in the woods. Things go very wrong.

And, then, their paths collide with a serial killer. 

The bookseller’s secret • Michelle Gable • Graydon House • 17 août • 400 pages

In 1942, London, Nancy Mitford is worried about more than air raids and German spies. Still recovering from a devastating loss, the once sparkling Bright Young Thing is estranged from her husband, her allowance has been cut, and she’s given up her writing career. On top of this, her five beautiful but infamous sisters continue making headlines with their controversial politics.

Eager for distraction and desperate for income, Nancy jumps at the chance to manage the Heywood Hill bookshop while the owner is away at war. Between the shop’s brisk business and the literary salons she hosts for her eccentric friends, Nancy’s life seems on the upswing. But when a mysterious French officer insists that she has a story to tell, Nancy must decide if picking up the pen again and revealing all is worth the price she might be forced to pay.

Eighty years later, Heywood Hill is abuzz with the hunt for a lost wartime manuscript written by Nancy Mitford. For one woman desperately in need of a change, the search will reveal not only a new side to Nancy, but an even more surprising link between the past and present…

The Women of Troy • Pat Baker • Doubleday • 24 août • 304 pages

Troy has fallen. The Greeks have won their bitter war. They can return home victors, loaded with their spoils: their stolen gold, stolen weapons, stolen women. All they need is a good wind to lift their sails.

But the wind does not come. The gods have been offended – the body of Priam lies desecrated, unburied – and so the victors remain in limbo, camped in the shadow of the city they destroyed, pacing at the edge of an unobliging sea. And, in these empty, restless days, the hierarchies that held them together begin to fray, old feuds resurface and new suspicions fester.

Largely unnoticed by her squabbling captors, Briseis remains in the Greek encampment. She forges alliances where she can – with young, dangerously naïve Amina, with defiant, aged Hecuba, with Calchus, the disgraced priest – and begins to see the path to a kind of revenge. Briseis has survived the Trojan War, but peacetime may turn out to be even more dangerous…

The Real Valkyrie: The Hidden History of Viking Warrior Women • Nancy Marie Brown • St Martin’s Press • 31 août • 336 pages

In 2017, DNA tests revealed to the collective shock of many scholars that a Viking warrior in a high-status grave in Birka, Sweden was actually a woman. The Real Valkyrie weaves together archaeology, history, and literature to imagine her life and times, showing that Viking women had more power and agency than historians have imagined.

Brown uses science to link the Birka warrior, whom she names Hervor, to Viking trading towns and to their great trade route east to Byzantium and beyond. She imagines her life intersecting with larger-than-life but real women, including Queen Gunnhild Mother-of-Kings, the Viking leader known as The Red Girl, and Queen Olga of Kyiv. Hervor’s short, dramatic life shows that much of what we have taken as truth about women in the Viking Age is based not on data, but on nineteenth-century Victorian biases. Rather than holding the household keys, Viking women in history, law, saga, poetry, and myth carry weapons. These women brag, “As heroes we were widely known—with keen spears we cut blood from bone.” In this compelling narrative Brown brings the world of those valkyries and shield-maids to vivid life.

The last Mona Lisa • Jonathan Santlofer • Sourcebook Landmark • 17 août • 400 pages

August, 1911: The Mona Lisa is stolen by Vincent Peruggia. Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more than one historian has wondered if the painting now in the Louvre is a fake, switched in 1911.

Present day: art professor Luke Perrone digs for the truth behind his most famous ancestor: Peruggia. His search attracts an Interpol detective with something to prove and an unfamiliar but curiously helpful woman. Soon, Luke tumbles deep into the world of art and forgery, a land of obsession and danger.

A gripping novel exploring the 1911 theft and the present underbelly of the art world, The Last Mona Lisa is a suspenseful tale, tapping into our universal fascination with da Vinci’s enigma, why people are driven to possess certain works of art, and our fascination with the authentic and the fake. 

Emily Gray Tredrowe • The talented Miss Farwell (2020)

The talented Miss Farwell • Emily Gray Tedrowe • Custom House • Septembre 2020 • 352 pages

At the end of the 1990s, with the art market finally recovered from its disastrous collapse, Miss Rebecca Farwell has made a killing at Christie’s in New York City, selling a portion of her extraordinary art collection for a rumored 900 percent profit. Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make.

But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller. 

No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable. 

But as Reba Farwell’s deals get bigger and bigger, Becky Farwell’s debt to Pierson spirals out of control. How long can the talented Miss Farwell continue to pull off her double life? 


J’apprécie énormément quand un ouvrage évoque l’histoire ou le marché de l’art. Je suis plutôt demandeuse de ce type d’histoire, regardant avec attention les nouvelles parutions. The talented Miss Farwell avait retenu toute ma curiosité : une collectionneuse, une arnaque… Ça avait de quoi me plaire. Malheureusement, cela n’a pas été le cas.

Le roman commençait bien. Emily Gray Tedrowe nous présente Becca, une jeune fille intelligente qui aurait pu faire de grandes études si elle n’avait pas dû s’occuper de son père malade. Sa vie aurait pu être monotone, mais son chemin a croisé celui d’un tableau. Elle s’est mise en tête qu’elle avait un besoin viscéral de la posséder. J’aurais aimé que ce point soit développé, car cela aurait pu être intéressant, notamment pour moi, historienne de l’art, que de le retrouver dans un roman. Cependant, l’auteur botte bien souvent en touche, donnant aussi au personnage principal un manque de profondeur. Elle est timide et effacée, sauf quand elle se rend dans des galeries ou des foires d’art contemporain. C’est donc un aspect essentiel de sa personnalité, mais c’est trop superficiel pour moi.

Je m’attendais à plus d’actions, mais surtout à plus de suspens en commençant ce livre. Malheureusement, ils ne sont pas au rendez-vous. Que les premières pages peuvent paraître un peu lentes, je veux bien le pardonner. Il faut toujours un peu de temps pour mettre en place les principaux éléments de l’intrigue, présenter la double vie de Becca. Puis l’intrigue démarre réellement. J’ai abandonné ce livre alors que je n’étais pas si loin de la fin. Tout simplement, l’histoire ne semblait pas prendre une direction claire. Sans suspens ou élément de surprise qui viennent donner une impulsion à l’intrigue, un rythme qui s’accélère, The talented Miss Farwell en devient très ennuyeux.

Un autre point sur lequel j’ai envie de réagir est la description du monde de l’art. Le roman met l’accent sur le côté glamour et spectaculaire du marché de l’art avec des sommes folles dépensées dans des oeuvres, des fêtes où le champagne coule à flot, la présence du luxe… Cet aspect amène un fort contraste avec la vie de Becca dans sa petite ville et son double, Rebba, collectionneuse qui se crée progressivement une réputation. Je n’ai pas trop cherché à savoir si c’était réaliste ou non, tout simplement, cela amenait un peu de changement dans l’ennui absolu que sont la vie de Becca et les passages qui lui sont consacrés.

Ennui renforcé par le fait que l’auteur m’a totalement perdu dans ses explications sur la manière dont Becca trouvait l’argent, comment elle en remboursait une partie… Elle va très loin dans ce domaine et avec les petites bases en comptabilité que j’ai, ce n’était pas suffisant pour pouvoir suivre tous les mouvements. Si ce n’était qu’un passage où elle expose toutes les ficelles de la combine une bonne fois pour toutes, ça aurait pu passer. Cependant, ce sont des paragraphes assez récurrents. Cet aspect du roman participe à sa lourdeur et à son côté assommant.

The talented Miss Farwell est un roman qui semblait prometteur aux premiers abords, avec un thème central qui me passionne depuis des années. Malheureusement, j’ai vraiment été déçue, et je m’attendais à une histoire plus rythmée et pleine de suspens et rebondissements. Aucun des personnages ne m’a réellement marqué, durant et après ma lecture. Becca est à l’image du livre, plate et inintéressante. J’ai quelque peu le sentiment d’avoir perdu mon temps avec ce livre.

Elizabeth MacNeal • The Doll Factory (2019)

The Doll Factory • Elizabeth MacNeal • 2019 • Picador • 336 pages

London. 1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. 

When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.

But Silas has only thought of one thing since their meeting, and his obsession is darkening…

The Doll Factory est le premier roman de l’écrivaine écossaise, Elizabeth MacNeal dont l’inspiration lui vient d’un essai qu’elle a écrit durant ses études. Ce dernier portait sur la littérature anglaise des années 1850. Sur son site officiel, elle parle aussi de sa fascination pour Lizzie Suddal, muse et compagne de Dante Gabriel Rossetti, pour le Londres de cette époque, bouillonnante d’inspirations et d’ambitions que cristallise l’organisation de la toute première Exposition universelle de 1851. À cette occasion, le Crystal Palace sera construit.

Ce sont autant d’aspects historiques qui se retrouvent dans ce roman, pour mon plus grand bonheur. L’auteur évoque la construction du Crystal Palace, une des premières architectures de verre et d’acier et qui s’inspire des serres. En effet, Joseph Praxton (1803-1865), son concepteur, était avant tout un jardinier. Le roman fourmille de petites anecdotes historiques qui étoffent l’intrigue, la rendent vraisemblable, mais surtout elles donnent au lecteur l’impression de marcher au côté d’Iris dans le Londres de 1850. Une petite anecdote que j’ai adoré retrouver est celle autour des wombats, animaux que les Préraphaélites appréciaient énormément. La rumeur voulait que le wombat de Rossetti soit mort après avoir mangé une boîte de cigares… Rumeur fausse, bien entendu.

Il y a d’autres aspects historiques dans ce roman qui m’ont énormément plu et qui ne tiennent pas seulement à l’Exposition universelle. Il y a surtout la présence centrale des Préraphaélites, mouvement artistique anglais que j’adore et qui est largement abordé dans ce livre (de la place des artistes dans la société par rapport à l’Académie, le rôle important des critiques au XIX siècle qui se développent énormément, le rôle des muses, leurs méthodes de travail…). Il y a également tout un développement sur les conditions de vie et de travail des pauvres, notamment à travers le personnage tellement attachant d’Albie. Les femmes tiennent également un grand rôle dans cette intrigue. Elizabeth MacNeal montre bien la manière dont la femme était perçue à cette époque, la condition qui lui était assignée : épouse et mère ; travailleuse ou prostituée. La volonté de reconnaissance et d’ascension sociale est amplement évoquée avec Silas, un personnage qui fait froid dans le dos.

Cette impression est renforcée par, à la fois, son métier et sa psychologie. Elizabeth MacNeal a fait un excellent travail sur la description des différents personnages, mais pour Silas, je trouve qu’elle a mis un cran au-dessus. Dès sa première apparition, le lecteur sent qu’il y a quelque chose de malsain chez lui. Sa passion pour tout ce qui est morbide, les curiosités, la taxidermie ne joue pas en sa faveur. Je l’ai détesté et, tout au long du roman, j’ai espéré qu’il n’arrive jamais à ses fins, surtout après la révélation de certains secrets le concernant.

C’est à travers ce dernier que la tension psychologique du roman se crée. En le commençant, je ne m’attendais pas à ce qu’il prenne une telle direction. Mais, progressivement, d’un roman historique, The Doll Factory devient un thriller psychologique. Pour un premier roman, Elizabeth MacNeal m’a étonnée par sa maîtrise de la tension, du drame. J’ai retenu mon souffle tout au long des pages, tout en ayant beaucoup d’espoir, de la peur et de la colère. J’ai été prise dans cette intrigue rapidement, prenant à coeur le destin d’Iris.

J’ai beaucoup aimé cette jeune femme courageuse et brillante, elle ose sortir des conventions en suivant ses rêves de devenir une artiste. On peut réellement voir la fascination qu’a exercée Lizzie Suddal sur l’auteur à travers Iris. Elles partagent un certain nombre de points communs. Elles ont toutes les deux étaient découvertes alors qu’elles travaillaient dans des boutiques. Elles sont toutes les deux rousses, une couleur de cheveux qui obsédait les artistes préraphaélites. Elles sont toutes les deux muses et artistes. Cela peut donner quelques pistes de réflexion sur le destin d’Iris, même si je ne l’espère pas pour elle. Lizzie Suddal apparaît d’ailleurs dans le roman, aux côtés de Rossetti et Millais.

The Doll Factory a presque été un coup de coeur. Il y a quelques petits coups de mou parfois, entre l’introduction des personnages, puis quand l’aspect thriller psychologique commence réellement. Cependant, c’est vraiment un excellent roman, avec une écriture de qualité. Je serai curieuse de lire d’autres ouvrages de l’auteur et je recommande ce premier roman étonnant. Tout au long de ma lecture, je me suis dit que c’est le genre d’histoire que j’aimerais beaucoup voir adapter au cinéma ou en série.

Anne de Rochas • La femme qui reste (2020)

La femme qui reste • Anne de Rochas • Août 2020 • Les Escales • 400 pages

« Que cherchez-vous, mademoiselle ? » À la question posée par Walter Gropius, Clara répond : « Une vie. »

Dans l’Allemagne exsangue et tumultueuse des années 1920, le Bauhaus est plus qu’une école d’art. C’est une promesse. Une communauté dont le but est de mettre en forme l’idée de l’Homme nouveau. En 1926, l’école s’installe à Dessau. Dans le grand bâtiment de verre et d’acier, Clara, Holger et Théo se rencontrent, créant une sorte de Jules et Jim. À Berlin, toute proche, le temps s’assombrit. Les convictions artistiques ou politiques ne sont pas les seuls facteurs qui décident du cours d’une vie. Ce sont aussi, entre rêves d’Amérique et désirs de Russie, d’autres raisons et déraisons. Lorsque l’école sera prise dans les vents contraires de l’Histoire, les étudiants feront leurs propres choix. À qui, à quoi rester fidèle, lorsqu’il faut continuer ?

•••

Il est rare que je m’intéresse outre mesure à la rentrée littéraire. Je dois noter un ou deux titres chaque année sur la pléthore de livres qui sort à ce moment-là. Cette année, j’en ai noté deux, des romans historiques : La race des orphelins d’Oscar Lalo, que je n’ai pas encore lu, et La femme qui reste d’Anne de Rochas qui retrace l’histoire du Bauhaus. Il ne m’en fallait pas plus, je l’avoue. Malheureusement, je suis passée totalement à côté de ce livre.

Depuis de très longues années, je me passionne pour la période de l’entre-deux-guerres en Allemagne et surtout à Berlin, à la fois d’un point de vue historique, sociétale et, bien entendu, artistique. Les années 20 et 30 sont celles d’Otto Dix, Félix Nussbaum, Georg Grosz, par exemple, mais également du Bauhaus. Ce n’est pas uniquement un courant architectural, car il y avait aussi de la création textile, du design, de la scénographie pour le théâtre… C’est un des points forts du titre, à mon avis, que de remettre le mouvement dans son contexte historique, de rappeler son histoire mouvementée. Quand le roman démarre, Walter Gropius n’est plus à Weimar, la ville ne voulant plus vraiment de son école. Il a fait un court arrêt à Halle, d’où l’héroïne est originaire, pour poursuivre finalement l’aventure à Dessau.

Par ailleurs, je trouve que la position de la société pour la création contemporaine est bien montrée : entre curiosité, approbation et rejet, rejet qui va se faire de plus en plus entendre au fur et à mesure des années, avant d’être considérée comme dégénérée. Le Bauhaus en fera les frais avec le nazisme, puisqu’un certain nombre d’artistes, architectes et autres du mouvement s’exileront à New York. Adorant le Bauhaus, je me suis régalée.

Encore plus quand La femme qui reste me permet de côtoyer des artistes et architectes qui comptent parmi mes préférés comme Wassily Kandinsky, par exemple, ou Walter Gropius. Anne de Rochas s’est parfaitement documentée pour son livre et l’historienne de l’art que je suis à adorer voir la pensée du Bauhaus, sa manière un peu particulière d’enseigner, reprendre vie. C’est vraiment intéressant et passionnant. Toutefois, j’ai trouvé que l’auteur en faisait parfois trop et que cela amenait énormément de longueurs, mais aussi de lourdeurs au roman, au détriment de l’action et de l’évolution des personnages. En effet, elle part dans des envolées lyriques autour du Bauhaus, du processus artistique qui trop souvent n’apportent strictement rien à l’intrigue, ou à la compréhension de ce mouvement. D’autant plus, qu’ils sont également extrêmement redondants.

Un autre point positif est la description de la société allemande de l’entre-deux-guerres. La pauvreté est évoquée, tout comme les conséquences de la crise financière, contrebalancées par les grandes fortunes, souvent mécènes de l’art contemporain. Progressivement, par petites touches, la montée du nazisme et le changement d’attitudes sur l’art prennent le pas sur les Années Folles et celles de gloire du Bauhaus en Allemagne. J’ai vraiment eu l’impression d’y être, de flâner dans les rues de Dessau avec Clara et ses amis, de partager leurs difficultés au quotidien. Cependant, un autre point vient obscurcir le tableau : la temporalité du roman. En effet, Anne de Rochas change parfois d’époque et avance dans le temps. C’est quelque chose avec lequel j’ai souvent du mal, car cela casse le rythme. C’est le cas ici. J’aurais préféré que l’intrigue soit chronologiquement linéaires, sans bonds dans le temps, pour plusieurs raisons.

Premièrement, certains « sauts » dans le temps apportent de la confusion. Deuxièmement, j’aimais beaucoup plus les parties de la jeunesse et formation de Clara et je me demandais quelle allait être son évolution. Or, ces bonds de quelques années après gâchent une bonne partie de l’intrigue, en anticipant trop sur certains points alors que cela aurait pu créer un peu de suspense et d’attente. Le trio de personnages m’a tout de suite plu et, en tant que lectrice, j’ai senti rapidement qu’un drame allait arriver, qu’une cassure allait se produire. C’était inévitable. Malheureusement, le changement de temporalité cassait un peu la construction progressive du drame. C’est vraiment un aspect que j’ai trouvé dommage.

Ce point et les trop nombreuses longueurs et lourdeurs ont eu raison de moi. Pourtant La femme qui reste aurait pu être un coup de coeur absolu, le roman que je n’attendais plus sur le Bauhaus. J’ai abandonné bien avant la fin. La lecture s’est révélée de plus en plus houleuse au fur et à mesure. Grosse déception pour ce roman sur lequel j’avais placé énormément d’espoir.

Sorties VO • Septembre 2020

 

Quelques sorties VO pour septembre : beaucoup d’historiques, notamment autour de la Seconde Guerre mondiale, sujet qui inspire toujours les auteurs, du fantastique…

The Paris Children • Gloria Goldreich • Sourcebooks Landmark • 1 septembre • 363 pages

Paris, 1935. A dark shadow falls over Europe as Adolf Hitler’s regime gains momentum, leaving the city of Paris on the brink of occupation. Young Madeleine Levy—granddaughter of Alfred Dreyfus, a Jewish World War I hero—steps bravely into a new wave of resistance women and becomes the guardian of lost children.

When Madeleine meets a small girl in a tattered coat with the hollow look of one forced to live a nightmare—a young Jewish refugee from Germany—she knows that she cannot stand idly by. Madeleine offers children comfort and strength while working with other members of the resistance to smuggle them out of Paris and into safer territories.

As the Paris Madeleine loves is transformed into a theater of tension and hatred, many are tempted to abandon the cause. Amidst the impending horror and doubt, Madeleine and Claude, a young Jewish Resistance fighter who shares her passion for saving children, are drawn fiercely together. With a questionable future ahead of them, all Madeleine can do is continue fighting and hope that her spirit—and the nation’s—won’t be broken.

Agent Sonya: Moscow’s Most Daring Wartime Spy • Ben McIntyre • Crown Publishing Group • 15 septembre • 400 pages

In 1942, in a quiet village in the leafy English Cotswolds, a thin, elegant woman lived in a small cottage with her three children and her husband, who worked as a machinist nearby. Ursula Burton was friendly but reserved, and spoke English with a slight foreign accent. By all accounts, she seemed to be living a simple, unassuming life. Her neighbors in the village knew little about her.

They didn’t know that she was a high-ranking Soviet intelligence officer. They didn’t know that her husband was also a spy, or that she was running powerful agents across Europe. Behind the facade of her picturesque life, Burton was a dedicated Communist, a Soviet colonel, and a veteran agent, gathering the scientific secrets that would enable the Soviet Union to build the bomb.

This true-life spy story is a masterpiece about the woman code-named “Sonya.” Over the course of her career, she was hunted by the Chinese, the Japanese, the Nazis, MI5, MI6, and the FBI—and she evaded them all. Her story reflects the great ideological clash of the twentieth century—between Communism, Fascism, and Western democracy—and casts new light on the spy battles and shifting allegiances of our own times.

The Tolstoy Estate • Steven Conte • 4th Estate • 2 septembre • … pages

In the first year of the doomed German invasion of Russia in WWII, a German military doctor, Paul Bauer, is assigned to establish a field hospital at Yasnaya Polyana – the former grand estate of Count Leo Tolstoy, the author of the classic War and Peace. There he encounters a hostile aristocratic Russian woman, Katerina Trusbetzkaya, a writer who has been left in charge of the estate. But even as a tentative friendship develops between them, Bauer’s hostile and arrogant commanding officer, Julius Metz, starts becoming steadily more preoccupied and unhinged as the war turns against the Germans. Over the course of six weeks, in the terrible winter of 1941, everything starts to unravel…

The talented Miss Farwell • Emily Gray Tedrowe • Custom House • 29 septembre • … pages

At the end of the 1990s, with the art market finally recovered from its disastrous collapse, Miss Rebecca Farwell has made a killing at Christie’s in New York City, selling a portion of her extraordinary art collection for a rumored 900 percent profit. Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make.

But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller.

No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable.

The secret French recipes of Sophie Valroux • Samantha Verant • Berkley Books • 8 septembre • … pages

French-born American chef Sophie Valroux had one dream: to be part of the 1% of female chefs running a Michelin-starred restaurant. From spending summers with her grandmother, who taught her the power of cooking and food, to attending the Culinary Institute of America, Sophie finds herself on the cusp of getting everything she’s dreamed of.

Until her career goes up in flames.

Sabotaged by a fellow chef, Sophie is fired, leaving her reputation ruined and confidence shaken. To add fuel to the fire, Sophie learns that her grandmother has suffered a stroke and takes the red-eye to France. There, Sophie discovers the simple home she remembers from her childhood is now a luxurious château, complete with two restaurants and a vineyard. As Sophie tries to reestablish herself in the kitchen, she comes to understand the lengths people will go to for success and love, and how dreams can change.

The Book of Hidden Wonders • Polly Crosby • Park Row • 1 septembre • … pages

Romilly Kemp and her eccentric father have happy but sheltered lives in a ramshackle mansion in the English countryside. To help make ends meet, he creates an illustrated book with Romilly—striking girl with red hair and a mole on her cheek—as the heroine with her cat, Monty. The book becomes an instant success and their estate is overrun with tourists and adventure seekers after rumors spread that hidden within its pages is an elaborate treasure hunt.

As Romilly gets older and her father writes more books, he starts disappearing within himself. She returns to his illustrations, looking for a way to connect with her ailing father, and finds a series of clues he’s left just for her. But this treasure hunt doesn’t lead her to gold or precious stones, but something worth far more—a shocking secret that is crucial to understanding her family.

The left-handed booksellers of London • Gareth Nix • Katherine Tegen Books • 22 septembre • 416 pages

In a slightly alternate London in 1983, Susan Arkshaw is looking for her father, a man she has never met. Crime boss Frank Thringley might be able to help her, but Susan doesn’t get time to ask Frank any questions before he is turned to dust by the prick of a silver hatpin in the hands of the outrageously attractive Merlin.

Merlin is a young left-handed bookseller (one of the fighting ones), who with the right-handed booksellers (the intellectual ones), are an extended family of magical beings who police the mythic and legendary Old World when it intrudes on the modern world, in addition to running several bookshops.

Susan’s search for her father begins with her mother’s possibly misremembered or misspelt surnames, a reading room ticket, and a silver cigarette case engraved with something that might be a coat of arms.

Watch over me • Nina LaCour • Dutton Books • 15 septembre • 272 pages

Newly graduated from high school, Mila has aged out of the foster care system. So when she’s offered a job and a place to stay at a farm on an isolated part of the Northern California Coast, she immediately accepts. Maybe she will finally find a new home, a real home. The farm is a refuge, but also haunted by the past traumas its young residents have come to escape. And Mila’s own terrible memories are starting to rise to the surface.

Fable, Fable (1) • Adrienne Young • Wednesday Books • 1 septembre • 368 pages

As the daughter of the most powerful trader in the Narrows, the sea is the only home seventeen-year-old Fable has ever known. It’s been four years since the night she watched her mother drown during an unforgiving storm. The next day her father abandoned her on a legendary island filled with thieves and little food. To survive she must keep to herself, learn to trust no one and rely on the unique skills her mother taught her. The only thing that keeps her going is the goal of getting off the island, finding her father and demanding her rightful place beside him and his crew. To do so Fable enlists the help of a young trader named West to get her off the island and across the Narrows to her father.

But her father’s rivalries and the dangers of his trading enterprise have only multiplied since she last saw him and Fable soon finds that West isn’t who he seems. Together, they will have to survive more than the treacherous storms that haunt the Narrows if they’re going to stay alive.

Scholomance, A deadly education • Naomi Novik • Del Rey Books • 336 pages

A Deadly Education is set at Scholomance, a school for the magically gifted where failure means certain death (for real) — until one girl, El, begins to unlock its many secrets. There are no teachers, no holidays, and no friendships, save strategic ones. Survival is more important than any letter grade, for the school won’t allow its students to leave until they graduate… or die! The rules are deceptively simple: Don’t walk the halls alone. And beware of the monsters who lurk everywhere. El is uniquely prepared for the school’s dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out millions. It would be easy enough for El to defeat the monsters that prowl the school. The problem? Her powerful dark magic might also kill all the other students.